Yesterdays with Authors

by James Thomas Fields

I write to you this morning, because I have something to say and something to ask. In the first place, I am better. Mr. Harness, who, God bless him, left that Temple of Art, the Deepdene, and Mr. Hope's delightful conversation, to come and take care of me, stayed at Swallowfield three weeks. He found out a tidy lodging, which he has retained, and he promises to come back in November; at present he is again at the Deepdene. Nothing could be so judicious as his way of going on; he came at two o'clock to my cottage and we drove out together; then he went to his lodgings to dinner, to give me three hours of perfect quiet; at eight he and the Russells met here to tea, and he read Shakespeare (there is no such reader in the world) till bedtime. Under his treatment no wonder that I improved, but the low-fever is not far off; doing a little too much, I fell back even before his departure, and have been worse since. However, on the whole, I am much better.

Now to my request. You perhaps remember my speaking to you of a copy of my "Recollections," which was in course of illustration in the winter. Mr. Holloway, a great print-seller of Bedford Street, Covent Garden, has been engaged upon it ever since, and brought me the first volume to look at on Tuesday. It would have rejoiced the soul of dear Dr. Holmes. My book is to be set into six or seven or eight volumes, quarto, as the case may be; and although not unfamiliar with the luxuries of the library, I could not have believed in the number and richness of the pearls which have been strung upon so slender a thread. The rarest and finest portraits, often many of one person and always the choicest and the best,—ranging from magnificent heads of the great old poets, from the Charleses and Cromwells, to Sprat and George Faulkner of Dublin, of whom it was thought none existed, until this print turned up unexpectedly in a supplementary volume of Lord Chesterfield; nothing is too odd for Mr. Holloway. There is a colored print of George the Third,—a full length which really brings the old king to life again, so striking is the resemblance, and quantities of theatrical people, Munden and Elliston and the Kembles. There are two portraits of "glorious John" in Penruddock. Then the curious old prints of old houses. They have not only one two hundred years old of Dorrington Castle, but the actual drawing from which that engraving was made; and they are rich beyond anything in exquisite drawings of scenery by modern artists sent on purpose to the different spots mentioned. Besides which there are all sorts of characteristic autographs (a capital one of Pope); in short, nothing is wanting that the most unlimited expense (Mr. Holloway told me that his employer, a great city merchant of unbounded riches, constantly urged him to spare no expense to procure everything that money would buy), added to taste, skill, and experience, could accomplish. Of course the number of proper names and names of places have been one motive for conferring upon my book an honor of which I never dreamt; but there is, besides, an enthusiasm for my writings on the part of Mrs. Dillon, the lady of the possessor, for whom it is destined as a birthday gift. Now what I have to ask of you is to procure for Mr. Holloway as many autographs and portraits as you can of the American writers whom I have named,—dear Dr. Holmes, Hawthorne, Longfellow, Whittier, Prescott, Ticknor. If any of them would add a line or two of their writing to their names, it would be a favor, and if; being about it, they would send two other plain autographs, for I have heard of two other copies in course of illustration, and expect to be applied to by their proprietors every day. Mr. Holloway wrote to some trade connection in Philadelphia, but probably because he applied to the wrong place and the wrong person, and because he limited his correspondent to time, obtained no results. If there be a print of Professor Longfellow's house, so much the better, or any other autographs of Americans named in my book. Forgive this trouble, dear friend. You will probably see the work when you come to London in the spring, and then you will understand the interest that I take in it as a great book of art. Also my dear old friend, Lady Morley (Gibbon's correspondent), who at the age of eighty-three is caught by new books and is as enthusiastic as a girl, has commissioned me to inquire about your new authoress, the writer of ——, who she is and all about her. For my part, I have not finished the book yet, and never shall. Besides my own utter dislike to its painfulness, its one-sidedness, and its exaggeration, I observe that the sort of popularity which it has obtained in England, and probably in America, is decidedly bad, of the sort which cannot and does not last,—a cry which is always essentially one-sided and commonly wrong....

Ever most faithfully and affectionately yours,

M.R.M.

October 5, 1852.

DEAREST MR. FIELDS: You will think that I persecute you, but I find that Mr. Dillon, for whom Mr. Holloway is illustrating my Recollections so splendidly, means to send the volumes to the binder on the 1st of November. I write therefore to beg, in case of your not having yet sent off the American autographs and portraits, that they may be forwarded direct to Mr. Holloway, 25 Bedford Street, Covent Garden, London. It is very foolish not to wait until all the materials are collected, but it is meant as an offering to Mrs. Dillon, and I suppose there is some anniversary in the way. Mr. Dillon is a great lover and preserver of fine engravings; his collection, one of the finest private collections in the world, is estimated at sixty thousand pounds. He is a friend of dear Mr. Bennoch's, who, when I told him the compliment that had been paid to my work by a great city man, immediately said it could be nobody but Mr. Dillon. I have twice seen Mr. Bennoch within the last ten days, once with Mr. Johnson and Mr. Thompson, your own Boston artist, whom I liked much, and who gave me the great pleasure of talking of you and of dear Mr. and Mrs. W——, last time with his own good and charming wife and ——. Only think of ——'s saying that Shakespeare, if he had lived now, would have been thought nothing of, and this rather as a compliment to the age than not! But, if you remember, he printed amended words to the air of "Drink to me only." Ah, dear me, I suspect that both William Shakespeare and Ben Jonson will survive him; don't you? Nevertheless he is better than might be predicated from that observation.

All my domestic news is bad enough. My poor pretty pony keeps his bed in the stable, with a violent attack of influenza, and Sam and Fanchon spend three parts of their time in nursing him. Moreover we have had such rains here that the Lodden has overflowed its banks, and is now covering the water meadows, and almost covering the lower parts of the lanes. Adieu, dearest friend.

Ever most faithfully yours, M.R.M.

Swallowfield, October 13, 1852.

More than one letter of mine, dearest friend, crossed yours, for which I cannot sufficiently thank you. Nobody can better understand than I do, how very, very glad your own people, and all the good city, must feel to get you back again,—I trust not to keep; for in spite of sea-sickness, that misery which during the summer I have contrived to feel on land, I still hope that we shall have you here again in the spring. I am impatiently waiting the arrival of portraits and autographs, and if they do not come in time to bind, I shall charge Mr. Holloway to contrive that they may be pasted with the copy of my Recollections to which Mr. Dillon is paying so high and so costly a compliment. Now I must tell you some news.