Delighted with the fecundity of his imagination, and proud of his unexampled devotion, he bent his steps toward the Châtelet.

"Let us see," he ruminated, as he walked with deliberate step toward the prison where all his hopes were centred,—"let us see, in order to avoid any more idiotic mistakes, how matters stand,—no easy task, considering that the whole business seems to me as tangled as Gervaise's skein when she gives it to me to hold, and I try to kiss her. Let's begin at the beginning. Ascanio loved Colombe, the provost's daughter: so far, so good. As the provost proposed to marry her to Comte d'Orbec, Ascanio carried her off: very good. Not knowing what to do with the sweet child when he had abducted her, he hid her in the head of the statue of Mars: best of all. Faith, it was a wonderfully ingenious hiding place, and nothing less than a beast—but let us pass over that: I shall find myself again later. Thereupon it would seem that the provost, acting upon my information, got his daughter into his clutches once more, and imprisoned Ascanio. Triple brute that I am! But here is where the skein begins to be tangled. What interest has the Duchesse d'Etampes in all this? She detests Colombe, whom everybody else loves. Why? Ah! I know. I remember certain jocose remarks of the apprentices, Ascanio's embarrassment when the duchess was mentioned,—Madame d'Etampes has her eye on Ascanio, and naturally abominates her rival. Jacques, my friend, you are a miserable wretch, but you are a clever dog all the same. Ah, yes! but now how does it happen that Ascanio has in his hands the means of ruining the duchess? Why does the king appear at intervals in the affair, with one Stefana? Why did Benvenuto constantly invoke Jupiter, rather a heathenish invocation for a Catholic? Deuce take me if I can see through all that. But it isn't absolutely necessary that I should understand. Light is to be found in Ascanio's cell; therefore the most essential thing is to get myself cast into the cell with him. I will manage the rest afterward."

As he thus communed with himself he reached his destination, and struck a violent blow upon the great door of the Châtelet. The wicket opened, and a harsh voice demanded to know his business: it was the jailer's.

"I wish for a cell in your prison," replied Aubry in a hollow voice.

"A cell!" exclaimed the astonished jailer.

"Yes, a cell: the blackest and deepest; even that will be better than I deserve."

"Why so?"

"Because I am a great criminal."

"What crime have you committed?"

"Ah! indeed, what crime have I committed?" Jacques asked himself, for he had not thought of preparing a crime suited to the occasion. As a fertile, lively imagination was not his most prominent characteristic, notwithstanding the compliments he had addressed to himself just before, he repeated, stupidly,—