"Yes," said Jacob, for his carriage was empty, "let's look at the map." Blame it or praise it, there is no denying the wild horse in us. To gallop intemperately; fall on the sand tired out; to feel the earth spin; to have—positively—a rush of friendship for stones and grasses, as if humanity were over, and as for men and women, let them go hang—there is no getting over the fact that this desire seizes us pretty often.
The evening air slightly moved the dirty curtains in the hotel window at
Olympia.
"I am full of love for every one," thought Mrs. Wentworth Williams, "—for the poor most of all—for the peasants coming back in the evening with their burdens. And everything is soft and vague and very sad. It is sad, it is sad. But everything has meaning," thought Sandra Wentworth Williams, raising her head a little and looking very beautiful, tragic, and exalted. "One must love everything."
She held in her hand a little book convenient for travelling—stories by Tchekov—as she stood, veiled, in white, in the window of the hotel at Olympia. How beautiful the evening was! and her beauty was its beauty. The tragedy of Greece was the tragedy of all high souls. The inevitable compromise. She seemed to have grasped something. She would write it down. And moving to the table where her husband sat reading she leant her chin in her hands and thought of the peasants, of suffering, of her own beauty, of the inevitable compromise, and of how she would write it down. Nor did Evan Williams say anything brutal, banal, or foolish when he shut his book and put it away to make room for the plates of soup which were now being placed before them. Only his drooping bloodhound eyes and his heavy sallow cheeks expressed his melancholy tolerance, his conviction that though forced to live with circumspection and deliberation he could never possibly achieve any of those objects which, as he knew, are the only ones worth pursuing. His consideration was flawless; his silence unbroken.
"Everything seems to mean so much," said Sandra. But with the sound of her own voice the spell was broken. She forgot the peasants. Only there remained with her a sense of her own beauty, and in front, luckily, there was a looking-glass.
"I am very beautiful," she thought.
She shifted her hat slightly. Her husband saw her looking in the glass; and agreed that beauty is important; it is an inheritance; one cannot ignore it. But it is a barrier; it is in fact rather a bore. So he drank his soup; and kept his eyes fixed upon the window.
"Quails," said Mrs. Wentworth Williams languidly. "And then goat, I suppose; and then…"
"Caramel custard presumably," said her husband in the same cadence, with his toothpick out already.
She laid her spoon upon her plate, and her soup was taken away half finished. Never did she do anything without dignity; for hers was the English type which is so Greek, save that villagers have touched their hats to it, the vicarage reveres it; and upper-gardeners and under-gardeners respectfully straighten their backs as she comes down the broad terrace on Sunday morning, dallying at the stone urns with the Prime Minister to pick a rose—which, perhaps, she was trying to forget, as her eye wandered round the dining-room of the inn at Olympia, seeking the window where her book lay, where a few minutes ago she had discovered something—something very profound it had been, about love and sadness and the peasants.