II. Oratorios
1. Passion according to St. John (9)Hamburg. 1704.
2. Resurrezione (32) Rome. 1708.
3. Il Trionfo del Tempo (24)” 1708.
4. The Passion of Christ (15)Hamburg. 1717.
5. Esther (First Version)Canons. 1720.
6. Esther (Second Version) King’s Theatre, London, 1733.
7. Deborah (29) King’s Theatre, London, 1733.
8. Athaliah (5)Oxford. 1733
9. Saul (13) King’s Theatre, London, 1739.
10. Israel in Egypt (16) ””1739.
11. MessiahDublin, 1742.
12. Samson (10) Covent Garden, 1743.
13. Joseph (42) ””1744.
14. Belshazzar (19) King’s Theatre, 1745.
15. Occasional Oratorio (43) Covent Garden, 1746.
16. Judas Maccabæus (22) ””1747.
17. Joshua (17) ””1748.
18. Alexander Balus (33) ””1748.
19. Solomon (26) ””1749.
20. Susanna (1) ””1749.
21. Theodora (8) ””1750.
22. Jephtha (44) ””1752.
23. Triumph of Time and Truth (20) ””1757.
III. Odes, Serenatas, and Occasional Pieces
1. Acis, Galatea e Polifemo (53)Naples. 1708.
2. Birthday Ode for Queen Anne (46a) St. James’ Palace, 1713.
3. Acis and Galatea (3)Canons, 1720.
4. The Alchemist Covent Garden, 1732.
5. Il Parnasso in Festa (54) King’s Theatre, 1734.
6. Alexander’s Feast (12) Covent Garden, 1736.
7. Ode for St. Cecilia’s Day (23) Lincoln’s Inn Fields, 1739.
8. Praise of Harmony ””about 1739.
9. L’Allegro, Il Penseroso ed Il Moderato (6) Lincoln’s Inn Fields, 1740.
10. HymenDublin, 1742.
11. Semele (7) Covent Garden, 1744.
12. Hercules (4) King’s Theatre, 1745.
13. Alceste (46b). Incidental music to play. (Never performed) 1749 or 1750.
14. Choice of Hercules (18). An Interlude Covent Garden, 1751.
IV. Church Music
1. Laudate Pueri in FHalle, 1702.
2. Dixit Dominus (38)Rome, 1707.
3. Nisi Dominus (38) Rome or Halle.
4. Laudate Pueri in D (38)Rome, 1707.
5. Silete venti (38)”1708.
6. Six Alleluias (38). For voice and harpsichord.
7. Utrecht Te Deum and Jubilate (31) St. Paul’s Cathedral, 1713.
8. Te Deum in D (37) About 1714.
9. Fifteen Chandos Anthems (34). For chorus, organ Canons, 1716-18.
10. Te Deum in B flat (37) 1716-18.
11. Four Coronation Anthems (14).
For seven-part chorus and large orchestra 		Westminster Abbey, 1727.
12. Te Deum in A (37) About 1727.
13. O Praise the Lord, Ps. CIII., etc.
(36). Anthem for chorus and orchestra.
14. Wedding Anthem, Ps. XLV., etc.
(36). Eight-part chorus, solos, orchestra, and organ		Wedding of Princess Anne, 1734.
15. Wedding Anthem, Ps. LXVIII., etc.
Chorus, solos, and orchestra 		Wedding of the Prince of Wales, 1736.
16. Funeral Anthem (II)Death of Queen Caroline, 1737.
17. Dettingen Te Deum (25) 1743.
18. Dettingen Anthem, Ps. X. and XI.,1743.
19. Foundling Hospital Anthem, Ps. XLI., etc. (36)1749.
20. Three Hymns. MS. in Fitzwilliam Museum.
Words by the Rev. C. Wesley. “Sinners, obey the
Gospel word,” “O Love divine, how sweet thou
art,” “Rejoice, the Lord is King.”
V. Vocal Chamber Music
1. Seventy-two Solo Cantatas for one or two voices with instruments (52 a, b, c). Italian. No. 8 is English; No. 18 is Spanish with guitar accompaniment.
2. Twenty-two Italian Duets and two Trios with harpsichord and violoncello (32).
3. Seven Italian Sonatas. Unpublished. MSS. in Fitzwilliam Museum.

VI. Instrumental Music
1. Six Sonatas for two oboes with thorough-bass for harpsichord (73) 1696.
2. Sonata for viola-da-gamba and cembalo concertata in C (48)Hamburg, 1705.
3. Klavierbuch aus der Jugendzeit (48)1710.
4. Three Sonatas for flute and harpsichord (48) Probably Hanover, about 1710.
5. Water Music (47) 1715.
6. Suites de pièces pour clavecin (2) Published 1720.
7. Fifteen Solos for a German flute, oboe or violin,
with a thorough-bass for harpsichord or bass violin (27) 		1724.
8. Six Concertos (21), Op. 3. Concerti grossi con dueviolini e violoncello di concertino e due altri violini,viola e basso di concerto grosso ad arbitrio, known as the Oboe ConcertosWalsh, 1729.
9. Nine Sonatas or Trios for two violins, flutes, or oboes, with a thorough-bass for harpsichord or violoncello, Op. 2 (27)Walsh, 1733.
10. Suites de pièces pour clavecin (2). Second volume pilfered by Walsh in 1733.
11. Pièces pour clavecin (2). Five pieces Witvogel in Amsterdam, 1733. Several clavecin pieces still remain in MS. at Buckingham Palace and Fitzwilliam Museum.
12. Overture for the pasticcio Oreste (48)1734.
13. Six “Fugues or Voluntaries for the organ or harpsichord,” Op. 3a (2)Walsh, 1735.
14. Overture in G minor for the pasticcio Alessandro Severo (48)1738.
15. Six Organ Concertos, Op. 4 (48)Walsh, 1738.
16. Seven Sonatas or Trios for two violins or German flutes, with a thorough-bass for the harpsichord or violoncello, Op. 5 (27)Walsh, 1738.
17. Hornpipe, composed for the concert at Vauxhall (48). For strings in three parts1740.
18. Six Concertos for organ arranged by Walsh from the Orchestral Concertos1740.
19. Twelve Grand Concertos, Op. 6a (30). For strings only, in seven partsWalsh, 1740.
20. Pièces pour le clavecin (2)Cluer, 1742.
21. Forest Music (47) 1742.
22. Fire Music (47) 1749.
23. Concerto for two organs and orchestra in D minor (48). Movement only exists.
24. Overture in B minor (48). Adapted by Walsh from the Overture to Trionfo del Tempo.
25. Organ Concerto in D minor (48). Two movements.
26. Organ Concerto in F (48).
27. Partita in A (48).
28. Six little Fugues. (Dubious.)
29. Concerto for trumpets and horns.
30. Concerto for horns and side-drums.
31. Sinfonie diverse (48). Eight short pieces for orchestral instruments.
32. Overture in five movements (incomplete) for two clarionets and corno di caccia. MS. in Fitzwilliam Museum.

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The COMPLETE HANDEL EDITION contains as supplements several volumes of works by various Italian and German composers, which Handel has utilised in his compositions, namely:—