“Here at the right, riding a Barbary horse, is Prince Djem, second son of Muhammad II, whom Alexander VI kept as a hostage. Djem, as you see, has an expressive face, a prominent nose, lively eyes, a long pointed beard, a shock of hair, and a big turban. He rides Moorish fashion, with his stirrups very short, and wears a curved cutlass in his belt. He is a great friend of Cæsar Borgia’s, which does not prevent Cæsar and his father, according to public rumour, from poisoning him at a farewell banquet in Capua. And here is Giovanni Sforza again, on foot. Are those two children the younger sons of Alexander VI? Or are they Lucrezia and Cæsar again? I don’t know. Behind Paleologos are the Pope’s domestic retainers, and among them Pinturicchio himself.”
THE LIFE OF CÆSAR BORGIA
After explaining the picture in detail, Kennedy went into the next room, followed by Cæsar. This is called the Hall of the Liberal Arts, and is adorned with a large marble mantel.
“Is there no portrait here of Cæsar Borgia?” asked Cæsar.
“No. Here I have a photograph of the one by Giorgione,” said Kennedy, showing a postal card.
“What sort of man was he? What did he do?”
Kennedy seated himself on a bench near the window and Cæsar sat beside him.
“Cæsar Borgia,” said Kennedy, “came to Rome from the university of Pisa, approximately at the time when they made his father Pope. He must then have been about twenty, and was strong and active. He broke in horses, was an expert fencer and shot, and killed bulls in the ring.”
“That too?”
“He was a good Spaniard. In a court that cannot be seen from here, on account of those thick panes, but on which these windows look, Cæsar Borgia fought bulls, and the Pope stood here to watch his son’s dexterity with the sword.”