9
One would never weary of dipping eagerly into these inexhaustible treasures. We imagine, for instance, that, from seeing cobwebs so frequently displayed in all manner of places, we possess adequate notions of the genius and methods of our familiar spiders. Far from it: the realities of scientific observation call for an entire volume crammed with revelations of which we had no conception. I will simply name, at random, the symmetrical arches of the Clotho Spider’s nest, the astonishing funicular flight of the young of our Garden Spider, the diving-bell of the Water Spider, the live telephone-wire which connects the web with the leg of the Cross Spider hidden in her parlour and informs her whether the vibration of her toils is due to the capture of a prey or a caprice of the wind.
It is impossible, therefore, short of having unlimited space at one’s disposal, to do more than touch, as it were with the tip of the phrases, upon the miracles of maternal instinct, which, moreover, are confounded with those of the higher manufactures and form the bright centre of the insect’s psychology. One would, in the same way, require several chapters to convey a summary idea of the nuptial rites which constitute the quaintest and most fabulous episodes of these new Arabian Nights.
The male of the Spanish Fly, for instance, begins by frenziedly beating his spouse with his abdomen and his feet, after which, with his arms crossed and quivering, he remains long in ecstasy. The newly-wedded Osmiae clap their mandibles terribly, as though it were a matter rather of devouring each other; on the other hand, the largest of our moths, the Great Peacock, who is the size of a bat, when drunk with love finds his mouth so completely atrophied that it becomes no more than a vague shadow. But nothing equals the marriage of the Green Grasshopper, of which I cannot speak here, for it is doubtful whether even Latin possesses the words needed to describe it seemingly.
All said, the marriage-customs are dreadful and, contrary to that which happens in every other world, here it is the female of the pair that stands for strength and intelligence and also for the cruelty and tyranny which appear to be their inevitable outcome. Almost every wedding ends in the violent and immediate death of the husband. Often, the bride begins by eating a certain number of suitors. The prototype of these fantastic unions could be supplied by the Languedocian Scorpions, who, as we know, carry lobster-claws and a long tail supplied with a sting, the prick of which is extremely dangerous. They have a prelude to the festival in the shape of a sentimental stroll, claw in claw; then, motionless, with fingers still gripped, they contemplate each other blissfully, interminably; day and night pass over their ecstasy, while they remain face to face, petrified with admiration. Next, the foreheads come together and touch; the mouths—if we can give the name of mouth to the monstrous orifice that opens between the claws—are joined in a sort of kiss; after which the union is accomplished, the male is transfixed with a mortal sting and the terrible spouse crunches and gobbles him up with gusto.
But the Mantis, the ecstatic insect with the arms always raised in an attitude of supreme invocation, the horrible Mantis religiosa or Praying Mantis, does better still: she eats her husbands (for the insatiable creature sometimes consumes seven or eight in succession) while they strain her passionately to their heart. Her inconceivable kisses devour, not in a metaphorical, but in an appallingly real fashion, the ill-fated choice of her soul stomach. She begins with the head, goes down to the thorax, nor stops till she comes to the hind-legs, which she deems too tough. She then pushes away the unfortunate remains, while a new lover, who was quietly awaiting the end of the monstrous banquet, heroically steps forward to undergo the same fate.
10
Henri Fabre is indeed the revealer of this new world, for, strange as the admission may seem at a time when we think that we know all that surrounds us, most of those insects minutely described in the vocabularies, learnedly classified and barbarously christened, had hardly ever been observed in real life or thoroughly investigated in all the phases of their brief and evasive appearances. He has devoted to surprising their little secrets, which are the reverse of our greatest mysteries, fifty years of a solitary existence, misunderstood, poor, often very near to penury, but lit up every day by the joy which a truth brings, which is the greatest of all human joys. Petty truths, I shall be told, those presented by the habits of a spider or a grasshopper. There are no petty truths to-day; there is but one truth, whose looking-glass, to our uncertain eyes, seems broken, though its every fragment, whether reflecting the evolution of a planet or the flight of a bee, contains the supreme law.
And these truths thus discovered had the good fortune to be grasped by a mind which knew how to understand what they themselves can but ambiguously express, to interpret what they are obliged to conceal and, at the same time, to appreciate the shimmering beauty, almost invisible to the majority of mankind, that shines for a moment around all that exists, especially around that which still remains very close to nature and has hardly left its primeval sanctuary.
To make of these long annals the generous and delightful work of literature that they are and not the monotonous and arid record of finical descriptions and trivial acts that they might have been, various and so to speak conflicting gifts were needed. To the patience, the precision, the scientific minuteness, the protean and practical ingenuity, the energy of a Darwin in the face of the unknown, to the faculty of expressing what has to be expressed with order, clearness and certainty, the venerable anchorite of Sérignan adds many of those qualities which are not to be acquired, certain of those innate good poetic virtues which cause his sure and supple prose, though a trifle provincial, a trifle antiquated, a trifle primitive, to take its place among the excellent prose of the day, prose of the kind that has its own atmosphere, in which we breathe gratefully and tranquilly and which we find only in masterpieces.