The moonlight revealed to me a marble-white human hand. Well, maybe I wasn’t embarrassed! But then that changed to a creepy feeling again, and I thought I’d try the counting again. I don’t know how many hours or weeks it was that I lay there counting hard. But the moonlight crept up that white arm, and it showed me a lead face and a terrible wound over the heart.
I could scarcely say that I was terror-stricken or anything like that. But somehow his eyes interested me so that I went right out of the window. I didn’t need the sash. But it seemed easier to take it than leave it behind.
Now, let that teach you a lesson—I don’t know just what it is. But at seventy years old I find that memory of peculiar value to me. I have been unconsciously guided by it all these years. Things that seemed pigeon-holed and remote are a perpetual influence. Yes, you’re taught in so many ways. And you’re so felicitously taught when you don’t know it.
Here’s something else that taught me a good deal.
When I was seventeen I was very bashful, and a sixteen-year-old girl came to stay a week with us. She was a peach, and I was seized with a happiness not of this world.
One evening my mother suggested that, to entertain her, I take her to the theatre. I didn’t really like to, because I was seventeen and sensitive about appearing in the streets with a girl. I couldn’t see my way to enjoying my delight in public. But we went.
I didn’t feel very happy. I couldn’t seem to keep my mind on the play. I became conscious, after a while, that that was due less to my lovely company than my boots. They were sweet to look upon, as smooth as skin, but fitted ten time as close. I got oblivious to the play and the girl and the other people and everything but my boots until—I hitched one partly off. The sensation was sensuously perfect: I couldn’t help it. I had to get the other off, partly. Then I was obliged to get them off altogether, except that I kept my feet in the legs so they couldn’t get away.
From that time I enjoyed the play. But the first thing I knew the curtain came down, like that, without my notice, and—I hadn’t any boots on. What’s more, they wouldn’t go on. I tugged strenuously. And the people in our row got up and fussed and said things until the peach and I simply had to move on.
We moved—the girl on one arm and the boots under the other.
We walked home that way, sixteen blocks, with a retinue a mile long: Every time we passed a lamp-post, death gripped me at the throat. But we got home—and I had on white socks.