Indeed, that is very sudden. I was not informed that the verdict was going to depend upon my judgment, but that makes not the least difference in the world when you already know all about it. It is not any matter when you are called upon to express it; you can get up and do it, and my verdict has already been recorded in my heart and in my head as regards Mr. Jerome and his administration of the criminal affairs of this county.
I agree with everything Mr. Choate has said in his letter regarding Mr. Jerome; I agree with everything Mr. Shepard has said; and I agree with everything Mr. Jerome has said in his own commendation. And I thought Mr. Jerome was modest in that. If he had been talking about another officer of this county, he could have painted the joys and sorrows of office and his victories in even stronger language than he did.
I voted for Mr. Jerome in those old days, and I should like to vote for him again if he runs for any office. I moved out of New York, and that is the reason, I suppose, I cannot vote for him again. There may be some way, but I have not found it out. But now I am a farmer—a farmer up in Connecticut, and winning laurels. Those people already speak with such high favor, admiration, of my farming, and they say that I am the only man that has ever come to that region who could make two blades of grass grow where only three grew before.
Well, I cannot vote for him. You see that. As it stands now, I cannot. I am crippled in that way and to that extent, for I would ever so much like to do it. I am not a Congress, and I cannot distribute pensions, and I don’t know any other legitimate way to buy a vote. But if I should think of any legitimate way, I shall make use of it, and then I shall vote for Mr. Jerome.
HENRY IRVING
The Dramatic and Literary Society of London gave a welcome-home
dinner to Sir Henry Irving at the Savoy Hotel, London, June 9,
1900. In proposing the toast of “The Drama” Mr. Clemens said:
I find my task a very easy one. I have been a dramatist for thirty years. I have had an ambition in all that time to overdo the work of the Spaniard who said he left behind him four hundred dramas when he died. I leave behind me four hundred and fifteen, and am not yet dead.
The greatest of all the arts is to write a drama. It is a most difficult thing. It requires the highest talent possible and the rarest gifts. No, there is another talent that ranks with it—for anybody can write a drama—I had four hundred of them—but to get one accepted requires real ability. And I have never had that felicity yet.
But human nature is so constructed, we are so persistent, that when we know that we are born to a thing we do not care what the world thinks about it. We go on exploiting that talent year after year, as I have done. I shall go on writing dramas, and some day the impossible may happen, but I am not looking for it.