"Have something first," said Sir Philip, seating himself at the saloon table, where his steward had laid out a tasty cold collation. "We've had a good deal of climbing about and rowing; it's taken it out of us a little."
Thus hospitably adjured, they took their places, and managed to dispose of an excellent supper. The meal concluded, Duprèz helped himself to a tiny liqueur glass of Chartreuse, as a wind-up to the exertions of the day, a mild luxury in which the others joined him, with the exception of Macfarlane, who was wont to declare that a "mon without his whusky was nae mon at a'," and who, therefore, persisted in burning up his interior mechanism with alcohol in spite of the doctrines of hygiene, and was now absorbed in the work of mixing his lemon, sugar, hot water, and poison—his usual preparation for a night's rest.
Lorimer, usually conversational, watched him in abstracted silence. Rallied on this morose humor, he rose, shook himself like a retriever, yawned, and sauntered to the piano that occupied a dim corner of the saloon, and began to play with that delicate, subtle touch, which, though it does not always mark the brilliant pianist, distinguishes the true lover of music, to whose ears a rough thump on the instrument, or a false note would be most exquisite agony. Lorimer had no pretense to musical talent; asked, he confessed he could "strum a little," and he seemed to see the evident wonder and admiration he awakened in the minds of many to whom such "strumming" as his was infinitely more delightful than more practiced, finished playing. Just now he seemed undecided,—he commenced a dainty little prelude of Chopin's, then broke suddenly off, and wandered into another strain, wild, pleading, pitiful, and passionate,—a melody so weird and dreamy that even the stolid Macfarlane paused in his toddy-sipping, and Duprèz looked round in some wonderment.
"Comme c'est beau, ça!" he murmured.
Errington said nothing; he recognized the tune as that which Thelma had sung at her spinning-wheel, and his bold bright eyes grew pensive and soft, as the picture of the fair face and form rose up again before his mind. Absorbed in a reverie, he almost started when Lorimer ceased playing, and said lightly—
"By-bye, boys! I'm off to bed! Phil, don't wake me so abominably early as you did this morning. If you do, friendship can hold out no longer—we must part!"
"All right!" laughed Errington good-humoredly, watching his friend as he sauntered out of the saloon; then seeing Duprèz and Macfarlane rise from the table, he added courteously, "Don't hurry away on Lorimer's account, you two. I'm not in the least sleepy,—I'll sit up with you to any hour."
"It is droll to go to bed in broad daylight," said Duprèz. "But it must be done. Cher Philippe, your eyes are heavy. 'To bed, to bed,' as the excellent Madame Macbeth says. Ah! quelle femme! What an exciting wife she was for a man? Come, let us follow our dear Lorimer,—his music was delicious. Good night or good morning? . . . I know not which it is in this strange land where the sun shines always! It is confusing!"
They shook hands and separated. Errington, however, unable to compose his mind to rest, went into his cabin merely to come out of it again and betake himself to the deck, where he decided to walk up and down till he felt sleepy. He wished to be alone with his own thoughts for awhile—to try and resolve the meaning of this strange new emotion that possessed him,—a feeling that was half pleasing, half painful, and that certainly moved him to a sort of shame. A man, if he be strong and healthy, is always more or less ashamed when Love, with a single effort, proves him to be weaker than a blade of grass swaying in the wind. What! all his dignity, all his resoluteness, all his authority swept down by the light touch of a mere willow wand? for the very sake of his own manhood and self-respect, he cannot help but be ashamed! It is as though a little nude, laughing child mocked at a lion's strength, and made him a helpless prisoner with a fragile daisy chain. So the god Eros begins his battles, which end in perpetual victory,—first fear and shame,—then desire and passion,—then conquest and possession. And afterwards? ah! . . . afterwards the pagan deity is powerless,—a higher God, a grander force, a nobler creed must carry Love to its supreme and best fulfillment.