“Why, don’t you know her great Venetian family group, the What-do-you-call-’ems?—seven full-length figures, each one a gem, for which he paid her her price before he left the house.”
She could but make it more richly resound—almost stricken, lost in her wistful thought: “Seven full-length figures? Her price?”
“Eight thousand—slap down. Bender knows,” said Lord John, “what he wants.”
“And does he want only”—her wonder grew and grew—
“What-do-you-call-’ems’?”
“He most usually wants what he can’t have.” Lord John made scarce more of it than that. “But, awfully hard up as I fancy her, Lady Lappington went at him.”
It determined in his friend a boldly critical attitude. “How horrible—at the rate things are leaving us!” But this was far from the end of her interest. “And is that the way he pays?”
“Before he leaves the house?” Lord John lived it amusedly over. “Well, she took care of that.”
“How incredibly vulgar!” It all had, however, for Lady Sandgate, still other connections—which might have attenuated Lady Lappington’s case, though she didn’t glance at this. “He makes the most scandalous eyes—the ruffian!—at my great-grandmother.” And then as richly to enlighten any blankness: “My tremendous Lawrence, don’t you know?—in her wedding-dress, down to her knees; with such extraordinarily speaking eyes, such lovely arms and hands, such wonderful flesh-tints: universally considered the masterpiece of the artist.”
Lord John seemed to look a moment not so much at the image evoked, in which he wasn’t interested, as at certain possibilities lurking behind it. “And are you going to sell the masterpiece of the artist?”