“What a power!” cried Adelaida suddenly, as she earnestly examined the portrait over her sister’s shoulder.
“Whom? What power?” asked her mother, crossly.
“Such beauty is real power,” said Adelaida. “With such beauty as that one might overthrow the world.” She returned to her easel thoughtfully.
Aglaya merely glanced at the portrait—frowned, and put out her underlip; then went and sat down on the sofa with folded hands. Mrs. Epanchin rang the bell.
“Ask Gavrila Ardalionovitch to step this way,” said she to the man who answered.
“Mamma!” cried Alexandra, significantly.
“I shall just say two words to him, that’s all,” said her mother, silencing all objection by her manner; she was evidently seriously put out. “You see, prince, it is all secrets with us, just now—all secrets. It seems to be the etiquette of the house, for some reason or other. Stupid nonsense, and in a matter which ought to be approached with all candour and open-heartedness. There is a marriage being talked of, and I don’t like this marriage—”
“Mamma, what are you saying?” said Alexandra again, hurriedly.
“Well, what, my dear girl? As if you can possibly like it yourself? The heart is the great thing, and the rest is all rubbish—though one must have sense as well. Perhaps sense is really the great thing. Don’t smile like that, Aglaya. I don’t contradict myself. A fool with a heart and no brains is just as unhappy as a fool with brains and no heart. I am one and you are the other, and therefore both of us suffer, both of us are unhappy.”
“Why are you so unhappy, mother?” asked Adelaida, who alone of all the company seemed to have preserved her good temper and spirits up to now.