At the beginning of the evening, when the prince first came into the room, he had sat down as far as possible from the Chinese vase which Aglaya had spoken of the day before.
Will it be believed that, after Aglaya’s alarming words, an ineradicable conviction had taken possession of his mind that, however he might try to avoid this vase next day, he must certainly break it? But so it was.
During the evening other impressions began to awaken in his mind, as we have seen, and he forgot his presentiment. But when Pavlicheff was mentioned and the general introduced him to Ivan Petrovitch, he had changed his place, and went over nearer to the table; when, it so happened, he took the chair nearest to the beautiful vase, which stood on a pedestal behind him, just about on a level with his elbow.
As he spoke his last words he had risen suddenly from his seat with a wave of his arm, and there was a general cry of horror.
The huge vase swayed backwards and forwards; it seemed to be uncertain whether or no to topple over on to the head of one of the old men, but eventually determined to go the other way, and came crashing over towards the German poet, who darted out of the way in terror.
The crash, the cry, the sight of the fragments of valuable china covering the carpet, the alarm of the company—what all this meant to the poor prince it would be difficult to convey to the mind of the reader, or for him to imagine.
But one very curious fact was that all the shame and vexation and mortification which he felt over the accident were less powerful than the deep impression of the almost supernatural truth of his premonition. He stood still in alarm—in almost superstitious alarm, for a moment; then all mists seemed to clear away from his eyes; he was conscious of nothing but light and joy and ecstasy; his breath came and went; but the moment passed. Thank God it was not that! He drew a long breath and looked around.
For some minutes he did not seem to comprehend the excitement around him; that is, he comprehended it and saw everything, but he stood aside, as it were, like someone invisible in a fairy tale, as though he had nothing to do with what was going on, though it pleased him to take an interest in it.
He saw them gather up the broken bits of china; he heard the loud talking of the guests and observed how pale Aglaya looked, and how very strangely she was gazing at him. There was no hatred in her expression, and no anger whatever. It was full of alarm for him, and sympathy and affection, while she looked around at the others with flashing, angry eyes. His heart filled with a sweet pain as he gazed at her.
At length he observed, to his amazement, that all had taken their seats again, and were laughing and talking as though nothing had happened. Another minute and the laughter grew louder—they were laughing at him, at his dumb stupor—laughing kindly and merrily. Several of them spoke to him, and spoke so kindly and cordially, especially Lizabetha Prokofievna—she was saying the kindest possible things to him.