St. John Passion (German, Hamburg, 1704).
La Risurrezione (Italian, Rome, 1708).
Il Trionfo del Tempo e del Disinganno (Italian, Rome, 1708).
Aci, Galatea e Polifemo (Italian, Naples, 1709).
Brockes Passion (German, Hanover, 1716).
All the following oratorios are in English:
Esther (first version, London, 1720).
Acis and Galatea (London, 1720).
Esther (second version, London, 1732).
Debora (London, 1733).
Athalia (Oxford, 1733).
Alexander's Feast (London, 1736).
Saul (London, 1739).
Israel in Egypt (London, 1739).
Ode for St. Cecilia's Day (London, 1739).
L'Allegro, Il Penseroso ed Il Moderato (London, 1740).
Messiah (Dublin, 1742).
HANDEL 139
The following oratorios were all produced in London:
Samson (1743).
Semele (1743).
Joseph (1743).
Belshazzar (1744).
Hercules (1744).
Occasional Oratorio (1746).
Judas Maccabaeus (1747).
Alexander Balus (1747).
Joshua (1747).
Solomon (1748).
Susanna (1748).
Theodora (1749).
The Choice of Hercules (1749).
Jephtha (1752).
The Triumph of Time and Truth (1757).
SACRED WORKS:
Laudate Pueri (Rome, 1707).
Dixit Dominus (Rome, 1707).
Nisi Dominus (Rome, 1707).
Gloria Patri (Rome, 1707).
Salve Regina (1707?).
Silete Venti (1707?).
Utrecht Te Deum and Jubilate (London, 1713).
Te Deum in D (1714?).
Te Deum in B flat (Chandos) (1718-20).
Te Deum in A (1727?).
Twelve Chandos Anthems (1716-19).
Four Coronation Anthems (1727).
Wedding Anthem for Princess Anne (1734).
Wedding Anthem for the Prince of Wales (1736).
Funeral Anthem for Queen Caroline (1737).
Dettingen Te Deum (1743).
Dettingen Anthem (1743).
Foundling Hospital Anthem (1749).
SECULAR VOCAL MUSIC:
Birthday Ode for Queen Anne (1713).
Italian Cantatas, Duets and Trios.
German Songs.