"And on their captain," interposed Shirley.
"What, Captain Keeldar?" inquired Moore, slightly smiling, and not lifting his eyes. The tone of raillery in which he said this was very respectful and suppressed.
"No," returned Shirley, answering the smile; "Captain Gérard Moore, who trusts much to the prowess of his own right arm, I believe."
"Furnished with his counting-house ruler," added Moore. Resuming his usual gravity, he went on: "I received by this evening's post a note from the Home Secretary in answer to mine. It appears they are uneasy at the state of matters here in the north; they especially condemn the supineness and pusillanimity of the mill-owners. They say, as I have always said, that inaction, under present circumstances, is criminal, and that cowardice is cruelty, since both can only encourage disorder, and lead finally to sanguinary outbreaks. There is the note—I brought it for your perusal; and there is a batch of newspapers, containing further accounts of proceedings in Nottingham, Manchester, and elsewhere."
He produced letters and journals, and laid them before Miss Keeldar. While she perused them he took his tea quietly; but though his tongue was still, his observant faculties seemed by no means off duty. Mrs. Pryor, sitting in the background, did not come within the range of his glance, but the two younger ladies had the full benefit thereof.
Miss Keeldar, placed directly opposite, was seen without effort. She was the object his eyes, when lifted, naturally met first; and as what remained of daylight—the gilding of the west—was upon her, her shape rose in relief from the dark panelling behind. Shirley's clear cheek was tinted yet with the colour which had risen into it a few minutes since. The dark lashes of her eyes looking down as she read, the dusk yet delicate line of her eyebrows, the almost sable gloss of her curls, made her heightened complexion look fine as the bloom of a red wild flower by contrast. There was natural grace in her attitude, and there was artistic effect in the ample and shining folds of her silk dress—an attire simply fashioned, but almost splendid from the shifting brightness of its dye, warp and woof being of tints deep and changing as the hue on a pheasant's neck. A glancing bracelet on her arm produced the contrast of gold and ivory. There was something brilliant in the whole picture. It is to be supposed that Moore thought so, as his eye dwelt long on it, but he seldom permitted his feelings or his opinions to exhibit themselves in his face. His temperament boasted a certain amount of phlegm, and he preferred an undemonstrative, not ungentle, but serious aspect to any other.
He could not, by looking straight before him, see Caroline, as she was close at his side. It was necessary, therefore, to manœuvre a little to get her well within the range of his observation. He leaned back in his chair, and looked down on her. In Miss Helstone neither he nor any one else could discover brilliancy. Sitting in the shade, without flowers or ornaments, her attire the modest muslin dress, colourless but for its narrow stripe of pale azure, her complexion unflushed, unexcited, the very brownness of her hair and eyes invisible by this faint light, she was, compared with the heiress, as a graceful pencil sketch compared with a vivid painting. Since Robert had seen her last a great change had been wrought in her. Whether he perceived it might not be ascertained. He said nothing to that effect.
"How is Hortense?" asked Caroline softly.
"Very well; but she complains of being unemployed. She misses you."
"Tell her that I miss her, and that I write and read a portion of French every day."