Falk was introduced and immediately Lundell monopolized him, asking him for his opinion of the picture he was painting. It was a Rubens, at least as far as the subject went, though anything but a Rubens in colour and drawing. Thereupon Lundell dilated on the hard times and difficulties of an artist, severely criticized the Academy, and censured the Government for neglecting native art. He was engaged in sketching an altar-piece, although he was convinced that it would be refused, for nobody could succeed without intrigues and connexions. And he scrutinized Falk's clothes, wondering whether he might be a useful connexion.
Falk's appearance had produced a different effect on the two philosophers. They scented a man of letters in him, and hated him because he might rob them of the reputation they enjoyed in the small circle. They exchanged significant glances, immediately understood by Sellén, who found it impossible to resist the temptation of showing off his friends in their glory, and, if possible, bring about an encounter. He soon found an apple of discord, aimed, threw, and hit.
"What do you say to Lundell's picture, Ygberg?"
Ygberg, not expecting to be called upon to speak so soon, had to consider his answer for a few seconds. Then he made his reply, raising his voice, while Olle rubbed his back to make him hold himself straight.
"A work of art may, in my opinion, be divided into two categories: subject and form. With regard to the subject in this work of art there is no denying that it is profound and universally human; the motive, properly speaking, is in itself fertile, and contains all the potentialities of artistic work. With regard to the form which of itself shall de facto manifest the idea, that is to say the absolute identity, the being, the ego—I cannot help saying that I find it less adequate."
Lundell was obviously flattered. Olle smiled his sunniest smile as if he were contemplating the heavenly hosts; the model was asleep and Sellén found that Ygberg had scored a complete success. All eyes were turned on Falk who was compelled to take up the gauntlet, for no one doubted that Ygberg's criticism was a challenge.
Falk was both amused and annoyed. He was searching the limbo of memory for philosophical air-guns, when he caught sight of Olle Montanus, whose convulsed face betrayed his desire to speak. Falk loaded his gun at random with Aristotle and fired.
"What do you mean by adequate? I cannot recollect that Aristotle made use of that word in his Metaphysics."
Absolute silence fell on the room; everybody felt that a fight between the artist's colony and the University of Upsala was imminent. The interval was longer than was desirable, for Ygberg was unacquainted with Aristotle and would have died sooner than have admitted it. As he was not quick at repartee, he failed to discover the breach which Falk had left open; but Olle did, caught Aristotle with both hands and flung him back at his opponent.
"Although I'm not a learned man, I venture to question whether you, Mr. Falk, have upset your opponent's argument? In my opinion adequate may be used and accepted as a definition in a logical conclusion, in spite of Aristotle not having mentioned the word in his Metaphysics. Am I right, gentlemen? I don't know, I'm not a learned man and Mr. Falk has made a study of these things."