Turning back he strolled towards the hut on the right-hand side of the road, coming from town. The door leading into a large room—once a bakery—from an entrance-hall the size of a travelling trunk, stood open. The room contained a bed-sofa, a broken chair, an easel, and two men. One of them, wearing only a shirt and a pair of trousers kept up by a leather belt, was standing before the easel. He looked like a journeyman, but he was an artist making a sketch for an altar-piece. The other man was a youth with clear-cut features and, considering his environment, well-made clothes. He had taken off his coat, turned back his shirt and was serving as the artist's model. His handsome, noble face showed traces of a night of dissipation, and every now and then he dozed, each time reprimanded by the master who seemed to have taken him under his protection. As Falk was entering the room he heard the burden of one of these reprimands:
"That you should make such a hog of yourself and spend the night drinking with that loafer Sellén, and now be standing here wasting your time instead of being at the Commercial School! The right shoulder a little higher, please; that's better! Is it true that you've spent all the money for your rent and daren't go home? Have you nothing left? Not one farthing?"
"I still have some, but it won't go far." The young man pulled a scrap of paper out of his trousers pocket, and straightening it out, produced two notes for a crown each.
"Give them to me, I'll take care of them for you," exclaimed the master, seizing them with fatherly solicitude.
Falk, who had vainly tried to attract their attention, thought it best to depart as quietly as he had come. Once more passing the manure heap and the two philosophers, he turned to the left. He had not gone far when he caught sight of a young man who had put up his easel at the edge of a little bog planted with alder trees, close to the wood. He had a graceful, slight, almost elegant figure, and a thin, dark face. He seemed to scintillate life as he stood before his easel, working at a fine picture. He had taken off his coat and hat and appeared to be in excellent health and spirits; alternately talking to himself and whistling or humming snatches of song.
When Falk was near enough to have him in profile he turned round.
"Sellén! Good morning, old chap!"
"Falk! Fancy meeting you out here in the wood! What the deuce does it, mean? Oughtn't you to be at your office at this time of day?"
"No! But are you living out here?"
"Yes; I came here on the first of April with some pals. Found life in town too expensive—and, moreover, landlords are so particular."