It goes without saying that Lundell's religious sense has tremendously developed during those "dear" days. He is, comparatively speaking, happy in his colossal self-deception, and has no idea what a rascal he really is.
I think I have told you everything now; anything else verbally when we meet. Until then, good-bye. I hope you are in good health and spirits.
Your friend,
Olle Montanus.
P.S. I must not forget to tell you the result of the antiquarian research. The end of it all was that old Jan, an inmate of the almshouses, remembered having seen the figures when he was a child. He said there had been three: Faith, Hope, and Love; and as Love was the greatest of these, it had stood above the altar. In the first decade of this century a flash of lightning had struck Love and Faith. The figures had been the work of his father who was a carver of figure-heads in the naval port Karlskrona.
O. M.
When Falk had read the letters, he sat down at his writing-table, examined his lamp to see whether there was plenty of oil in it, lit his pipe, took a manuscript from his table-drawer, and began to write.
CHAPTER XIX
FROM CHURCHYARD TO PUBLIC-HOUSE
The September afternoon lay grey and warm and still over the capital as Falk climbed the hills in the south. When he had arrived at the churchyard of St. Catherine's he sat down to rest; he noticed with a feeling of genuine pleasure that the maples had turned colour during the recent cold nights, and he welcomed autumn with its darkness, its grey clouds, and falling leaves.
Not a breath stirred; it was as if Nature were resting, tired after the work of the short summer. Everything was asleep; the dead were lying beneath the sod, calm and peaceful, as if they had never been alive; he wished that he had all men there, and that he, himself, was with them.