"Andersson!" he shouted, "answer this question! Listen to me! If I bear false witness, am I a blackguard or not?"

"Of course, you are a blackguard, sir!" Andersson answered unhesitatingly and with warmth.

"Do you hear? He says I'm a blackguard—if I put my signature to a false receipt. What did I say? You're not straight, Arvid, you are not straight. Good-natured people often are blackguards; you have always been good-natured and yielding, but I've always been aware that in your secret heart you harboured very different thoughts; you're a blackguard! Your father always said so; I say 'said,' for he always said what he thought, and he was a straight man, Arvid, and that—you—are—not! And you may be sure that if he were still alive he would say with grief and pain: 'You're not straight, Arvid, you—are—not—straight!'"

He did a few more diagonal lines and it sounded as if he were applauding the scene with his feet; he rattled his bunch of keys as if he were giving the signal for the curtain to rise. His closing remarks had been so rounded off that the smallest addition would have spoilt the whole. In spite of the heavy charge which he had actually expected for years—for he had always believed his brother to be acting a part—he was very glad that it was over, happily over, well and cleverly over, so that he felt almost gay and even a little grateful. Moreover he had had a splendid chance of venting the wrath which had been kindled upstairs, in his family, on some one; to vent it on Andersson had lost its charm; and he knew better than to vent it on his wife.

Arvid was silent; the education he had received had so intimidated him that he always believed himself to be in the wrong; since his childhood the great words "upright, honest, sincere, true," had daily and hourly been drummed into his ears, so that they stood before him like a judge, continuously saying: "Guilty...." For a moment he thought that he must have been mistaken in his calculations, that his brother must be innocent and he himself a scoundrel; but immediately after he realized that his brother was a cheat, deceiving him by a simple lawyer's trick. He felt prompted to run away, fearful of being drawn into a quarrel, to run away without making his request number two, and confessing that he was on the point of changing his profession.

There was a long pause. Charles Nicholas had plenty of time to recapitulate his triumph in his memory. That little word "blackguard" had done his tongue good. It had been as pleasant as if he had said "Get out!" And the opening of the door, Andersson's reply, and the production of the paper, everything had passed off splendidly; he had not forgotten the bunch of keys on his night-table; he had turned the key in the lock without any difficulty; his proof was binding as a rope, the conclusion he had drawn had been the baited hook by which the fish had been caught.

He had regained his good temper; he had forgiven, nay, he had forgotten, and as he slammed the door of the safe, he shut away the disagreeable story for ever.

But he did not want to part from his brother in this mood; he wanted to talk to him on other subjects; throw a few shovelfuls of gossip on the unpleasant affair, see him under commonplace circumstances, sitting at his table, for instance—and why not eating and drinking? People always looked happy and content when they were eating and drinking; he wanted so see him happy and content. He wanted to see his face calm, listen to his voice speaking without a tremor, and he resolved to ask him to luncheon. But he felt puzzled how to lead up to it, find a suitable bridge across the gulf. He searched his brain, but found nothing. He searched his pockets and found—the match.

"Hang it all, you've never lit your cigar, old boy!" he exclaimed with genuine, not feigned, warmth.

But the old boy had crushed his cigar during the conversation, so that it would not draw.