Chapter
[I. The Trafficker in his own Honor]
[II. Four Varieties of Brigands]
[III. An Autumn Night's Dream]
[IV. Stefana]
[V. Domiciliary Visits]
[VI. Charles the Fifth at Fontainebleau]
[VII. The Ghostly Monk]
[VIII. What One sees at Night from the Top
of a Poplar]
[IX. Mars and Venus]
[X. The Rivals]
[XI. Benvenuto at Bay]
[XII. Of the Difficulty which an Honest
Man experiences in Procuring his
own Committal to Prison]
[XIII. In which Jacques Aubry rises to Epic
Proportions]
[XIV. Of the Difficulty which an Honest
Man experiences in Securing his
Release from Prison]
[XV. An Honest Theft]
[XVI. Wherein it is proved that a Grisette's
Letter, when it is burned, makes as
much Flame and Ashes as a Duchess's]
[XVII. Wherein it is proved that True Friendship
is capable of carrying devotion
to the Marrying Point]
[XVIII. The Casting]
[XIX. Jupiter and Olympus]
[XX. A Prudent Marriage]
[XXI. Resumption of Hostilities]
[XXII. A Love Match]
[XXIII. Mariage de Convenance]
ASCANIO
I
THE TRAFFICKER IN HIS OWN HONOR
It was the day on which Colombe was to be presented to the queen.
The whole court was assembled in one of the state apartments at the Louvre. After hearing mass the court was to depart for Saint-Germain, and they were awaiting the coming of the king and queen to go to the chapel. Except a few ladies who were seated, everybody was moving about from place to place, laughing and talking. There was the rustle of silks and brocades, and the clash of swords; loving and defiant glances were exchanged, together with arrangements for future meetings, of amorous or deadly purport. It was a dazzling, bewildering scene of confusion and splendor; the costumes were superb, and cut in the latest style; among them, adding to the rich and interesting variety, were pages, dressed in the Italian or Spanish fashion, standing like statues, with arms akimbo, and swords at their sides. It was a picture overflowing with animation and magnificence, of which all that we could say would be but a very feeble and colorless description. Bring to life all the dandified, laughing cavaliers, all the sportive easy-mannered ladies who figure in the pages of Brantôme and the "Heptameron," put in their mouths the crisp, clever, outspoken, idiomatic, eminently French speech of the sixteenth century, and you will have an idea of this seductive court, especially if you recall the saying of François I.: "A court without women is a year without spring, or a spring without flowers." The court of François I. was a perpetual spring, where the loveliest and noblest of earthly flowers bloomed.
After the first bewilderment caused by the confusion and uproar, it was easy to see that there were two hostile camps in the throng: one, distinguished by lilac favors, was that of Madame d'Etampes; the other, whose colors were blue, hoisted the flag of Diane de Poitiers. Those who secretly adhered to the Reformed religion belonged to the first faction, the unadulterated Catholics to the other. Among the latter could be seen the dull, uninteresting countenance of the Dauphin; the intelligent, winning, blonde features of Charles d'Orléans, the king's second son, flitted here and there through the ranks of the faction of Madame d'Etampes. Conceive these political and religious antipathies to be complicated by the jealousy of women and the rivalry of artists, and the result will be a grand total of hatred, which will sufficiently explain, if you are surprised at them, a myriad of scornful glances and threatening gestures, which all the courtier-like dissembling in the world cannot conceal from the observation of the spectator.
The two deadly enemies, Anne and Diane, were seated at the opposite ends of the room, but, notwithstanding the distance between them, not five seconds elapsed before every stinging quip uttered by one of them found its way to the ears of the other, and the retort, forwarded by the same couriers, returned as quickly by the same road.
Amid all these silk and velvet-clad noblemen, in an atmosphere of clever sayings, in his long doctor's robe, stern-featured but indifferent, walked Henri Estienne, devotedly attached to the cause of the Reformation, while not two steps away, and equally oblivious of his surroundings, stood the Florentine refugee, Pietro Strozzi, pale and melancholy, leaning against a pillar, and gazing doubtless in his heart at far-off Italy, whither he was destined to return in chains, there to have no repose save in the tomb. We need not say that the nobly born Italian, a kinsman, through his mother, of Catherine de Medicis, was heart and soul devoted to the Catholic party.
There, too, talking together of momentous affairs of state, and stopping frequently to look each other in the face as if to give more weight to what they were saying, were old Montmorency, to whom the king had given less than two years before the office of Constable, vacant since the fall of Bourbon, and the chancellor, Poyet, bursting with pride over the new tax he had imposed, and the ordinance of Villers-Cotterets, just countersigned by him.[8]