Martin Chuzzlewit
What is exaggeration to one class of minds and perceptions, is plain truth to another. That which is commonly called a long-sight, perceives in a prospect innumerable features and bearings non-existent to a short-sighted person. I sometimes ask myself whether there may occasionally be a difference of this kind between some writers and some readers; whether it is always the writer who colours highly, or whether it is now and then the reader whose eye for colour is a little dull?
On this head of exaggeration I have a positive experience, more curious than the speculation I have just set down. It is this: I have never touched a character precisely from the life, but some counterpart of that character has incredulously asked me: “Now really, did I ever really, see one like it?”
All the Pecksniff family upon earth are quite agreed, I believe, that Mr Pecksniff is an exaggeration, and that no such character ever existed. I will not offer any plea on his behalf to so powerful and genteel a body, but will make a remark on the character of Jonas Chuzzlewit.
I conceive that the sordid coarseness and brutality of Jonas would be unnatural, if there had been nothing in his early education, and in the precept and example always before him, to engender and develop the vices that make him odious. But, so born and so bred, admired for that which made him hateful, and justified from his cradle in cunning, treachery, and avarice; I claim him as the legitimate issue of the father upon whom those vices are seen to recoil. And I submit that their recoil upon that old man, in his unhonoured age, is not a mere piece of poetical justice, but is the extreme exposition of a direct truth.
I make this comment, and solicit the reader’s attention to it in his or her consideration of this tale, because nothing is more common in real life than a want of profitable reflection on the causes of many vices and crimes that awaken the general horror. What is substantially true of families in this respect, is true of a whole commonwealth. As we sow, we reap. Let the reader go into the children’s side of any prison in England, or, I grieve to add, of many workhouses, and judge whether those are monsters who disgrace our streets, people our hulks and penitentiaries, and overcrowd our penal colonies, or are creatures whom we have deliberately suffered to be bred for misery and ruin.
Charles Dickens
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PREFACE
POSTSCRIPT
CHAPTER ONE
INTRODUCTORY, CONCERNING THE PEDIGREE OF THE CHUZZLEWIT FAMILY
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
CHAPTER SEVEN
CHAPTER EIGHT
CHAPTER NINE
TOWN AND TODGER’S
CHAPTER TEN
CHAPTER ELEVEN
CHAPTER TWELVE
CHAPTER THIRTEEN
CHAPTER FOURTEEN
CHAPTER FIFTEEN
THE BURDEN WHEREOF, IS HAIL COLUMBIA!
CHAPTER SIXTEEN
CHAPTER SEVENTEEN
CHAPTER EIGHTEEN
CHAPTER NINETEEN
CHAPTER TWENTY
IS A CHAPTER OF LOVE
CHAPTER TWENTY-ONE
CHAPTER TWENTY-TWO
CHAPTER TWENTY-THREE
CHAPTER TWENTY-FOUR
CHAPTER TWENTY-FIVE
CHAPTER TWENTY-SIX
AN UNEXPECTED MEETING, AND A PROMISING PROSPECT
CHAPTER TWENTY-SEVEN
CHAPTER TWENTY-EIGHT
MR. MONTAGUE AT HOME. AND MR. JONAS CHUZZLEWIT AT HOME
CHAPTER TWENTY-NINE
CHAPTER THIRTY
CHAPTER THIRTY-ONE
CHAPTER THIRTY-TWO
CHAPTER THIRTY-THREE
CHAPTER THIRTY-FOUR
CHAPTER THIRTY-FIVE
CHAPTER THIRTY-SIX
TOM PINCH DEPARTS TO SEEK HIS FORTUNE. WHAT HE FINDS AT STARTING
CHAPTER THIRTY-SEVEN
CHAPTER THIRTY-EIGHT
SECRET SERVICE
CHAPTER THIRTY-NINE
CHAPTER FORTY
CHAPTER FORTY-ONE
CHAPTER FORTY-TWO
CONTINUATION OF THE ENTERPRISE OF MR JONAS AND HIS FRIEND
CHAPTER FORTY-THREE
CHAPTER FORTY-FOUR
FURTHER CONTINUATION OF THE ENTERPRISE OF MR JONAS AND HIS FRIEND
CHAPTER FORTY-FIVE
CHAPTER FORTY-SIX
CHAPTER FORTY-SEVEN
CONCLUSION OF THE ENTERPRISE OF MR JONAS AND HIS FRIEND
CHAPTER FORTY-EIGHT
CHAPTER FORTY-NINE
CHAPTER FIFTY
CHAPTER FIFTY-ONE
CHAPTER FIFTY-TWO
IN WHICH THE TABLES ARE TURNED, COMPLETELY UPSIDE DOWN
CHAPTER FIFTY-THREE
CHAPTER FIFTY-FOUR
GIVES THE AUTHOR GREAT CONCERN. FOR IT IS THE LAST IN THE BOOK