Fielding
Produced by Tonya Allen, Charles Aldarondo, Charles Franks
and the Online Distributed Proofreading Team
From a critical point of view, the works of Fielding have received abundant examination at the hands of a long line of distinguished writers. Of these, the latest is by no means the least; and as Mr. Leslie Stephen's brilliant studies, in the recent edition de luxe and the Cornhill Magazine , are now in every one's hands, it is perhaps no more than a wise discretion which has prompted me to confine my attention more strictly to the purely biographical side of the subject. In the present memoir, therefore, I have made it my duty, primarily, to verify such scattered anecdotes respecting Fielding as have come down to us; to correct (I hope not obtrusively) a few mis-statements which have crept into previous accounts; and to add such supplementary details as I have been able to discover for myself.
In this task I have made use of the following authorities:—
I. Arthur Murphy's Essay on the Life and Genius of Henry Fielding, Esq. This was prefixed to the first collected edition of Fielding's works published by Andrew Millar in April 1762; and it continued for a long time to be the recognised authority for Fielding's life. It is possible that it fairly reproduces his personality, as presented by contemporary tradition; but it is misleading in its facts, and needlessly diffuse. Under pretence of respecting the Manes of the dead, the writer seems to have found it pleasanter to fill his space with vagrant discussions on the Middle Comedy of the Greeks and the machinery of the Rape of the Lock , than to make the requisite biographical inquiries. This is the more to be deplored, because, in 1762, Fielding's widow, brother, and sister, as well as his friend Lyttelton, were still alive, and trustworthy information should have been procurable.
II. Watson's Life of Henry Fielding, Esq . This is usually to be found prefixed to a selection of Fielding's works issued at Edinburgh. It also appeared as a volume in 1807, although there is no copy of it in this form at the British Museum. It carries Murphy a little farther, and corrects him in some instances. But its author had clearly never even seen the Miscellanies of 1743, with their valuable Preface, for he speaks of them as one volume, and in apparent ignorance of their contents.